Secular

Aesop’s Fables (Volume 1)

As part of the first volume of adapting Aesop’s morals and tales into concert works for your school choir, these fables are varied in their musical settings.  Illustrating each story is the colorful piano accompaniment that gives the player the opportunity to perform multiple eras of musical styles, and the voice leading facilitates the choir to become narrators of Aesop’s tales and bring the stories to life. Your audiences will enjoy hearing each movement as they unfold from the stage.

Score Previews: SATB SAB SSA TTB Two-Part

And I Can Sing (The Gift to Sing)

SATB and Piano

Using the poem The Gift to Sing by James Weldon Johnson, this dramatic composition takes the singers and audience alike on an adventure discovering their own unique voice.  Beginning as a lyrical melody in minor, the piece builds to its parallel major with a declaration from the poem’s text and evolves even further to an epic and dramatic statement universal to everybody.  This will be a great addition to your concert or festival repertoire celebrating the art of singing.

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Casey At the Bat

TTBB, a cappella

Reminiscent of the treasured Robert Shaw sea chanty and glee club arrangements, this jovial work will bring joy and brotherhood to your men’s choir rehearsals and performances.  In 6/8 meter and an accessible melodic range, the work evolves into a new texture with each new stanza of the famous Ernest Lawrence Thayer poem.  There are opportunities for solos and a small ensemble for singers to be in the spotlight.  Take a swing with your men’s choir, and your audience will enjoy this work like it’s a night out at the ballpark!  This composition is the Second Prize winner (Tenor/Bass Choir) in the 2023 ACDA Composition Focus Prize.

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(This is) Christmas Morning

SATB, a cappella

An upbeat and inviting song for the Christmas season, your choir will have a fun time performing this work!  This playful illustration of Edwin Waugh’s text features a lilting beat and lyrical voice leading, along with a short quotation of Deck the Hall and a solo opportunity.

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December

This gentle and lyrical setting of Harriet Blodgett’s poem evokes a whimsical remembrance and thankfulness in the yuletide season.  The folk-like melody is supported by the legato arpeggiations of the piano and the blossoming texture of the vocal harmonies that enliven the poetic text.  Suitable for school choirs and community choruses of any size, let this song be a reminder of the many gifts the Christmas season continues to give for all of us.

Score Previews: SATB SAB SSA TTB Unison/Two-Part

Elegy of a Man in Missouri

TTBB, a cappella

Reminiscent of the well-known folk song Wayfaring Stranger, this new choral song portrays another nomadic individual remaining optimistic and content while others see him seemingly empty around and within himself. The melody switches between voices as the piece escalates in intensity and lyric dramaticism, illustrated by the harmonizing voices creating a supportive accompaniment pattern in thebackground. The ending recapitulates the opening and resolves to an open resolution for the audience to ponder about its message. Ideal for high school and collegiate ensembles.

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Everywhere, Everywhere, Christmas Tonight!

SATB, a cappella

The Phillips Brooks poem creates a beautiful picture of the winter wonderland usually associated with the Christmas season, and singing its praises are the yuletide carolers.  This uplifting a cappella setting, akin to singing a yuletide carol, gives the choral ensemble the opportunity to perform anywhere of the winter holiday and all its wonderment.   Singers will have a delight performing this work at your next concert and special events in your community.

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Finding Strength in Shadows

from Rising from the Ashes: Stories of Lahaina

SATB and 3 Drums, a cappella

This is the third movement from the extended choral work Rising from the Ashes: Stories of Lahaina.

The three drums kick off this effervescent work, creating a joyful rhythmic cadence upon which the the choir sings. The inspiring text lifts the spirits of the singers and audience alike as the harmonies propel through slight modulations and resolutions to the original key. The work moves swiftly into a mele hula (dance that tells or depicts a story) about the Phoenix bird rising from its ashes and beginning to live a new life for itself. With a call and response setting transcending into the melodic treatment, the eight voices create a powerful and triumphant ending to this song.

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Drum part scores (available free to download):
Large Pahu Medium Pahu Small Pahu

Full score and other movements (On That Night, Forever Anew, Kama’aina) also available for purchase.

For the full extended choral work, click here.

Forever Anew

from Rising from the Ashes: Stories of Lahaina

SATB, a cappella

This is the second movement from the extended choral work Rising from the Ashes: Stories of Lahaina.

After the horrific Maui wildfires, many residents of Lahaina (like many of us after a devastating event) became distraught and hopeless that their homeland was destroyed. This prayer gives solemness to this moment in the aftermath with the wish to bring their houses and livelihoods back again. A solo opportunity with an accompanying aleatoric choir creates a unique sound illustration that will astound your audience in performance. A closing statement gives renewed hope for a better tomorrow.

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Full score and other movements (On That Night, Finding Strength in Shadows, Kama’aina) also available for purchase.

For the full extended choral work, click here.

Four Witticisms

SATB and Piano

This set of four short pieces was inspired by various word puzzle solutions. Each piece presents a humorous pun set in a unique musical style to highlight the lyric presentation. Four Witticisms makes a great concert closer that provides no better “alto-rnative” than a smile or giggle!

I. I Bought Me a Bakery
II. Fish in a Basket
III. My Friend’s Dog
IV. The Fence Builders

Gather Ye Rosebuds While Ye May

SATB, a cappella

With inspiration from John Barlet’s madrigal Of All the Birds, this a cappella setting creates a Renaissance whimsical feel (like a madrigal) to match the text by Robert Herrick.  Homophonic and in comfortable ranges for all voices, this is an attainable choral piece for your choir to perform.  Have some fun singing this song at your next concert!

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I Am In Need of Music

The timeless words of Elizabeth Bishop receive a classical treatment with this lyrical melody supported by light, arpeggiated accompaniment (though written in 3/4 meter feels like 9/8 meter because of the consistant triplets). Suitable for any occasion and concert performance.

Score Previews: SATB SAB

I Am the World

The poet’s powerful words are fully encapsulated in this new choral anthem. The beginning declaration segues into a fast traveling waltz with a fervent and adventurous piano accompaniment. A slower, introspective section then returns to the fast waltz toward a final callback of the opening.

Score Previews: SATB SAB SSA TBB Two-Part

I Will Be Worthy of It

SATB, unaccompanied

Inspirational poetry set this new choral work into motion with rhythmic vitality and contrasting melodic lines. A call-and-response between voice sections heightens the excitement of the song, and a gospel-like chorus repeat gives your choir the opportunity to let loose, allowing for an opportunity for a soloist to riff. Ideal as a concert closer. Your choir will love this work and have fun!

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Irish Prayer

A simple and short, yet effective setting of the traditional Irish prayer text. The men and women begin separately, but join together for the last phrases of the song “and until we meet again, may God hold you in the palm of His hand.”

Score Previews: SATB SAB SSA TTB Unison/Two-Part

The Joy of Giving

(Benediction)

This deceptively simple Christmas tune is rich with its nontraditional key signature, homophonic texture, and harmonic suspensions.  It can be performed with or without piano accompaniment, making it accessible for singers to perform anywhere.  Set like a benediction, this work would be perfect as a concert closer for your entire choir department to sing together at the end of your holiday concert.  The text by John Whittier reminds us to be thankful for the Christmas season and share that same sentiment with others “all the year through”.

Score Previews: SATB SAB SSAA TTBB Unison/Two-Part

Kama’aina

from Rising from the Ashes: Stories of Lahaina

SATB and 3 Drums, a cappella

This is the fourth and final movement from the choral work Rising from the Ashes: Stories of Lahaina.

Reminiscent of the traditional Hawaiian ballads and anthems, this inspirational song guides the singers and audiences to come together and rejoice in coming back from devastating times. A brief choral prelude leads to the solo introduction of the melody. The song continues to expand and grow in its texture, coming to the wider harmonic structures in the bridge and the final declarations of the residents of Lahaina. The choir has the option to move from its original stage formation to gather closer to the audience during the song. Let this song of victory be echoed in your life in your moments of triumph!

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Drum part scores (available free to download):
Large Pahu Medium Pahu Small Pahu

Full score and other movements (On That Night, Forever Anew, Finding Strength in Shadows) also available for purchase.

For the full extended choral work, click here.

Let Me Make the Songs for the People

Two-Part, a cappella

This proud anthem will help your chorus achieve the ability to perform a cappella works at your next concert. With an extended range and differing rhythmic passages, this work will be a rewarding challenge to perform. The song begins with parallel verse-like stanzas then diverting to a new harmonic that builds toward the climactic end.

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Loch Lomond

SATB and Baritone Solo, a cappella

The familiar Scottish folk song receives a new and refreshing arrangement. Featuring a baritone solo mostly throughout the work, the chorus adds a whimsical setting with lyrical voice-leading and sustained dominant cadences. This work will take you to a fantastical image where true loves may meet again and will have your audiences entranced with your performance.

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Love and Friendship

SSA and Piano

With text by the English novelist and poet Emily Bronte, this engaging and lyrical original work is approachable enough for treble choirs of all ages. The melodic motive is memorable, and the use of some closer harmonies brings a maturity and depth to the gentle setting. With a message of togetherness, this concert or festival selection is sure to be a favorite.

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The Moment of Magic

SSA and Piano

Your women’s choir will embrace the beauty and power that music can bring with this work. The choir fully illustrates Victoria Safford’s timeless text and creates a wonderful picture of sound. The piano steadily accompanies the voices throughout the piece.

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On That Night

from Rising from the Ashes: Stories of Lahaina

SATB and 3 Drums, a cappella

This is the first movement from the extended choral work Rising from the Ashes: Stories of Lahaina.

Depicting the devastation and horror incurred in the Maui wildfires of August 2023, the choir and drums establish a powerful and unrelenting rhythmic drive without slowing down.  The text of the melody gets further illustrated with texture painting (wind blowing) and chord clusters (sirens), culminating in the cacophony of all these sounds along with a small ensemble from the choir making shouts and shrieks. As the music fades away, so does the hope of the Lahaina residents as their homeland is burned away forever.

Score Preview

Drum part scores (available free to download):
Large Pahu Medium Pahu Small Pahu

Full score and other movements (Forever Anew, Finding Strength in Shadows, Kama’aina) also available for purchase.

For the full extended choral work, click here.

Ozymandias

TTBB, a cappella

Shelley’s epic poem is given this musical setting for unaccompanied men’s chorus.  The haunting, ethereal nature of the text is illustrated with moving motivic lines and solid voice textures.  Chordal harmonies propel the work to create further symphonic passages, with the chorus dividing into eight parts at times.  Two soloists are also featured narrating the opening and closing of the work.  Perfect for your advanced men’s choir to perform at your next concert or festival.

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Petrichor

SATB, Piano and Rainstick

pet·ri·chor (petrīkôr) (noun) A pleasant smell that frequently accompanies the first rain after a long period of warm, dry weather.

What an incredible feeling and sense of wonder to be out in the world after a rainstorm!  Using a rain stick and finger snaps to further illustrate the weather, the choir is also encouraged to take audible breaths (where they are written in the music), giving a place for them to enjoy this phenomena also.  This original composition will be perfect for your choir to demonstrate the concept of “word painting” and your audience will be entranced by the beauty of your performance and feel like they’re outside after a rainstorm as well.

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The Swan

SSAATTBB, unaccompanied

Set in a whimsical contemporary setting of the beloved poem, this choral setting of The Swan invokes the vivid imagery of its text by utilizing various textures and voice groupings as well as word painting.  Each voice gets the chance (even if for a short while) to sing the melody and propel the song forward before returning to the supportive background.  The chorus should perform the seemless harmonies and gentle nature of this work with the same gracefulness as a swan gliding on top of the water.

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Time Is

SATB and One-Hand Piano

Henry Van Dyke’s text illustrates the relentless nature of time and its many blessings and perils.  The staccato repetition of “time is” is constant throughout the work, and while everybody’s notes may happen at different times and may seem odd by themselves they wll fit together in performance.  Every voice part gets a chance to shine in their own line from the poem and leading the other voices to modulate toward a new key center each time.  Though seemingly a cappella, the one-hand piano part simulates the never-ending ticking of the clock while also being a root to the chording harmonizations happening with the voices.  A unique challenge for advanced high school and collegiate choirs.  Enjoy!

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Two New Carols for Christmas

SATB, a cappella

Carols are the quintessential form of choral music for the Christmas holiday season, and these two new carols now add to that rich history.  Each carol can be performed separately or together in concert.  A duet interludes each song before returning to the original carol form.  Appropriate for mixed voices choruses of high school ages and older.

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Ubuntu

Solo, SATB and Djembe, a cappella

The African-origin philosophy and practice of members from an entire village surrounding a miscreant of the town and reminding them of their worth in the community and how much they are loved is known as ubuntu (I am because you are).  This choral work brings the practice to the concert stage with the inclusion of staging directions and simple choreography that will bring an appropriate visual to the song’s message.  This positive and inspiring choral work is appropriate for high school, collegiate, and community choirs.

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We Are One

We Are One is a new choral work for a cappella voices. Starting with a soloist, the piece grows into a small ensemble and then finally the reonant entrance of the entire choir. Harmonic and homophonic voice leading gives strength to the text, creating a hymn-like quality. Divisi does occur at times within specific voice sections, all the while articulating and expanding the universality and connection to the seemingly simple text. Your singers will fall in love with this choral piece and, hopefully, be inspired to create a better humanity for today’s world.

Score Previews: SATB SSAA TTBB